I find it easier to play the villain in that sense. He has cynicism, brutality, wicked irony, he has no sympathy. All of this is easier to play than sincerity, honesty and love. Oddly enough an actor should spare no effort so that these qualities can be credible, for such character to seem alive. But indeed everything depends on the script. When a good scenario falls into the hands of the artist, it’s like a present. Because today an interesting living history is a big rarity. It happens that a producer offers the artist the role of villain, the person begins to read the script, and it’s just stupid and boring.
Who is more interesting for you in life? Everyone says that women love bastards. Maybe it should be?
I ask this question, but in fact we are so arranged that a lot of the good and bad are mixed in us. Perhaps we are interested to see the same complex characters in movies, in life. We want to see real people who we can find in all manifestations.
Will you allow yourself to be bad sometimes?
That means authorize? There are moments when I manifest myself, to put it mildly, not in the most correct and beautiful way. But this is understandable from the point of view of a living person. But this is almost always inadmissible.
You took part in “Vampire Academy”. The blockbuster which will be released very soon. What are your impressions from the American film production?
It is a powerful industry, professional and very talented. This is one of the superpowers in the cinema world. Americans produce a tremendous amount of good films and TV series every year. But half of them doesn’t reach us, unfortunately. The experience was, for me, not simple in many aspects because it was still my first role in English. I relaxed only when i was alone at the hotel. But I had to prepare for the next day of filming. Our shooting lasted for twelve, sometimes fourteen hours a day for a few months. But it was an absolutely amazing experience in all aspects: in the professional sense and in dealing with wonderful actors and filmmakers.
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